The course aims to provide advanced critical tools to read and contextualize the built environments
of the past and at the same time grasp the historical roots of many contemporary phenomena. The
course identifies the 'long' modernity, between the mid-eighteenth and twentieth centuries, as a
field of investigation. In the first place, the aim is to understand the complexity of the processes,
the identities of the different actors and the multiplicity of technological, economic, social, political
reasons which, between the eighteenth and twentieth centuries, produced architecture and cities.
Secondly, the focus is on enriching the lexicon that allows the understanding and interpretation of
architectural and urban phenomena in the long term. Thirdly, the aim is to build a specific skill in
reading architecture, both as a figurative and cultural phenomenon.
The course may have a monographic character and will be in any case characterized by a focus on
the development of specific skills, such as documentary and bibliographic research, critical
analysis of sources, and discussion of alternative interpretations, leading to the construction of
complex arguments concerning the reading of architectural phenomena in their temporal
dimension.
The course aims to provide advanced critical tools to read and contextualize the built environments of the past and at the same time grasp the historical roots of many contemporary phenomena. This year the course will track the development of ancient Egyptian architecture and the references that ancient Egyptian architects made to the ideology of the earliest buildings. In the second part the course will focus on the legacy of ancient Egyptian architecture in the context of colonization, nationalism and architectural forms that are deemed ageless. In the first place, the aim is to understand the complexity of the processes, the identities of the different actors and the multiplicity of technological, economic, social, and political reasons which produced architecture and cities.
Secondly, the focus is on enriching the lexicon that allows the understanding and interpretation of architectural and urban phenomena in the long term. Thirdly, the aim is to build a specific skill in reading architecture, both as a figurative and cultural phenomenon.
The course is characterized by a focus on the development of specific skills, such as documentary and bibliographic research, critical analysis of sources, and discussion of alternative interpretations, leading to the construction of complex arguments concerning the reading of architectural phenomena in their temporal
dimension.
The course is based on two kinds of cognitive structures. The first, 'factual', focuses on
architectural and urban episodes capable of exemplifying crucial problems and notions in the
history of the built environment. The second, 'critical', analyzes and compares the different
interpretations that have been produced on these facts over time and through a variety of social
actors involved in the production and reception of the built environment. Students will learn to
distinguish between these two levels: architectural and urban facts, and their historical and / or
critical reception, along a wide temporal spectrum and through a plurality of voices. In deepening
the study, students will also be asked to apply the notions of historical method they have acquired,
and to interpret a plurality of materials and sources from the history of architecture and the city.
Thus, at the end of the course, students will have to be able to demonstrate different intellectual
qualities: the knowledge of architectural and urban facts, but also the ability to be able to
distinguish the various interpretations, and, finally, the ability in producing other, new and original,
historical insights.
The course is based on two kinds of cognitive structures. The first, 'factual', focuses on architectural and urban episodes capable of exemplifying crucial problems and notions in the history of the built environment. The second, 'critical', analyzes and compares the different interpretations that have been produced on these facts over time and through a variety of social actors involved in the production and reception of the built environment. Students will learn to distinguish between these two levels: architectural and urban facts, and their historical and / or critical reception, along a wide temporal spectrum and through a plurality of voices. In deepening the study, students will also be asked to apply the notions of historical method they have acquired, and to interpret a plurality of materials and sources from the history of architecture and the city.
Thus, at the end of the course, students will have to be able to demonstrate different intellectual qualities: the knowledge of architectural and urban facts, but also the ability to be able to distinguish the various interpretations, and, finally, the ability in producing other, new and original, historical insights.
A basic historical culture and a good familiarity with written English are required to take the course.
Furthermore, the knowledge and skills learned in the architectural history courses of the bachelor
degree, both contemporary and modern,ar given for granted, as well as the competences
stemming from other bachelor courses dealing with history and critical reading: such as " Theory,
history and technique of restoration” or the multidisciplinary design ateliers.
A good passive knowledge (reading) of Italian, French or another European language (Spanish,
German) is certainly welcome and can be put to use, but it is not a requirement.
Good familiarity with spoken and written English is a requirement for students taking the course. Passive knowledge (reading) of German, French or Italian is certainly welcome and can be put to use, but it is not a requirement. Furthermore students are expected to have basic knowledge and skills as provided by the bachelor level architectural history courses dealing with critical reading (e.g. "Theory, history and technique of restoration” or the multidisciplinary design ateliers).
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The aim of the course held in 2024/25 by Prof. Wendrich is to critically assess the long-term references to and radically changing meanings of earlier architectural forms and language. This will be done by studying how in ancient Egypt architectural themes were repeated and re-interpreted throughout a period of 6000 years, followed by an analysis of references to ancient Egyptian architectural forms by various social, cultural, political and social groups in the last 400 years. Western orientalism in the 18th and 19th centuries, Egyptian nationalism in the 20th century, contemporary critiques on colonial appropriation and present-day orientalism in Egypt are just some of the subjects that will be treated through in-depth discussions during this course based on literature and student research projects.
Students will select a research topic and through an iterative process of oral and written/visual presentations, as well as active participation in peer review, will engage in reaching a deep understanding of the radically changing meanings of similar architectural forms and the theoretical grounding of these.
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Further details concerning the organization of the course and the final evaluation will be given in the detailed version of the course program. This will be published on the Teaching Portal at the beginning of the semester.
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The course will be organized partly through lectures followed by discussions and partly through a research exercise.
All activities will require active participation from the students.
Part 1 (eight lectures, each followed by a discussion) will be based on the analysis of readings, provided in the course program.
Part 2 (eight lectures or collective discussions) will be based on the close discussion of literature provided by student leads, each of them representative of a tendency in the interpretation and implementation of historical forms of architecture.
Part 3 (a public oral presentation based on research, and a corresponding visual product (drawings, photographs, film, VR model etc.). Each student in the course will be required to prepare and deliver a public oral presentation. Group work is allowed, but will result in individual presentations. Specific methodological lectures and reviews will be dedicated to this exercise over the course of the semester.
All the activities of the course, including the final exam, will take place in English.
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Essential references:
Arnold, Dieter. The Encyclopedia of Ancient Egyptian Architecture. Princeton, N.J: Princeton University Press, 2003.
Beaulieu, Jill, and Mary Roberts, eds. Orientalism’s Interlocutors: Painting, Architecture, Photography. Durham, N.C. London: Duke University Press Books, 2002.
Colla, Elliott. Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Illustrated edition. Durham (N.C.): Duke University Press Books, 2008.
Giguere, Joy. Characteristically American: Memorial Architecture, National Identity, and the Egyptian Revival. First Edition. Knoxville: Univ Tennessee Press, 2014.
Reid, Donald M. Whose Pharaohs? Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. Berkeley, CA: University of California Press, 2003.
Versluys, Miguel John, ed. Beyond Egyptomania: Objects, Style and Agency. 1st edition. Berlin: Walter de Gruyter, 2020.
Note: this bibliography is provisional. The complete list of books will be available at the beginning of the course.
Libro di testo;
Text book;
Modalità di esame: Prova orale obbligatoria; Elaborato grafico individuale; Elaborato scritto individuale;
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The final grade will be based upon an evaluation of:
1. An oral exam on Part 1 (30%). This will consist of a discussion of the required readings from Adrian Forty's book (see above). Students will typically be asked to present and discuss some of the keywords presented during the course.
3. An oral exam on Part 2 (30%). This will consist of a discussion of the books selected for this part of the course. Students will typically be asked to present and critically discuss the themes and issues emerging from these research works and the intellectual agenda behind them.
3. The written paper (30%). The paper will have to be submitted two weeks before the exam session that the student(s) wishes to attend. The evaluation of the paper will focus on its originality, the precision of bibliographic research, the clarity of its organization, and the quality of the critical discussion provided by the author(s).
4. An evaluation of the student’s overall participation in the activities and discussions carried out during the course (10%).
The paper is optional and can be replaced with additional readings for the oral exam. Additional details will be provided at the beginning of the course and published on the Teaching Portal.
The evaluation will assess:
a) the capacity of the students to report historical facts with accuracy and precision;
b) the capacity of the students to forge connections between the various elements of information acquired during the course and to critically discuss the historical problems raised by the bibliography;
c) the capacity of each student to clearly express herself/himself through oral presentations and writing.
Gli studenti e le studentesse con disabilità o con Disturbi Specifici di Apprendimento (DSA), oltre alla segnalazione tramite procedura informatizzata, sono invitati a comunicare anche direttamente al/la docente titolare dell'insegnamento, con un preavviso non inferiore ad una settimana dall'avvio della sessione d'esame, gli strumenti compensativi concordati con l'Unità Special Needs, al fine di permettere al/la docente la declinazione più idonea in riferimento alla specifica tipologia di esame.
The final grade will be based upon an evaluation of:
1. An oral presentation of 20-30 minutes (40%).
2. A visual presentation (printed or digital poster, film, or VR product), with extensive written information and explanation (40%).
3. An evaluation of the student’s overall participation in the activities and discussions carried out during the course (20%).
The evaluation of the oral and visual/written presentation will focus on its originality, the precision of bibliographic research, the clarity of its organization, and the quality of the critical discussion provided by the author.
The evaluation will thus assess:
a) the capacity of the students to report historical information with accuracy and precision (including meta-data and para-data);
b) the capacity of the students to forge connections between the various elements of information acquired during the course and to critically discuss the historical problems raised by the bibliography;
c) the capacity of each student to clearly express herself/himself through oral presentations and visualisation/writing.
In addition to the message sent by the online system, students with disabilities or Specific Learning Disorders (SLD) are invited to directly inform the professor in charge of the course about the special arrangements for the exam that have been agreed with the Special Needs Unit. The professor has to be informed at least one week before the beginning of the examination session in order to provide students with the most suitable arrangements for each specific type of exam.