1st degree and Bachelor-level of the Bologna process in Architettura (Architecture) - Torino 1st degree and Bachelor-level of the Bologna process in Architettura - Torino
The laboratories on the history of architecture and the city aim to provide the tools to investigate the diachronic dimension of architecture and of the transformation of the territory and to build a critical reflection on the relationship between past and present. The laboratories differ from the previous monographic courses in the history of architecture in the use of forms of teaching based on the students' direct experience of analysis and historical research. Each laboratory focuses on a theme, an object, or a case study chosen by the teacher(s), without geographical or chronological limits.
In particular, the History of Architecture and Cities Lab_B aims to provide the basis of the methodology of historical research (literature; secondary sources; primary sources), in order to acquire deep knowledge of the history of an architectural monument (singular works or urban spaces), able to better identify its historical and aesthetic value, also aiming at developing strategies of enhancement, dissemination and protection of the cultural and architectural heritage. Therefore, for the academic year 2020/21 the theme is: “Torino/Turin: the history of its architectural and urban heritage in view of multifaceted strategies of cultural tourism development”.
Climate change is happening now and everywhere. Primary driver of the current climate crisis is human activity and scietists are warning us that our planet cannot survive a temperature increase 1.5C above pre-industrial levels. But how did we arrive here? Does architecture, urban design, and urban planning implementations of the last century have anything to do with it? But more importantly, can this cultural heritage also be a solution due to this crisis?
Unlike traditional history of architecture courses, laboratories in the field of History of Architecture and Cities provide unique experimental learning-by-doing methods. Each laboratory session focuses on a specific theme, object, or case study, selected by the professor. For the academic year 2025/26, the theme of the History of architecture and cities Lab B course will be “Modern Movement as an Environmental Project: Studying Twentieth Century Urban Heritage from a Climate Resilience Perspective”.
The course is structured in two (2) modules:
MODULE 1 - Climate Literacy: The first module introduces the fundamental concepts of climate literacy such as adaptation, mitigation, loss and damage, adaptive capacity, resilience, and so on. Through the analysis of key documents—such as IPCC reports, UNESCO guidelines on heritage and climate change, and documents from European and national agencies—students will gain a critical foundation for interpreting the interactions between climate, cities, and heritage.
Operational concepts such as climate risk, adaptation, mitigation, vulnerability, and resilience will also be introduced, forming the shared vocabulary of the course.
MODULE 2 – Historical Analysis on Assignments (Case Studies): The second module focuses on assigned case studies, selected from emblematic examples of twentieth-century modern heritage in urban scale.
You will be expected to analyse and extract environmental and climate-aware approaches in this kind of architecture based on the concepts and frameworks studied in the MODULE 1. Your analysis should include not only in their formal or technical dimensions, but as active elements in a broader (re)construction and imagination of the urban(ised) landscape(s).
Through group analysis, seminar activities, site visits, and historical research, you will be expected to explore how such twentieth century moden heritage relates to contemporary challenge of climate. The goal is to foster critical reflection on the potential of modern heritage not only as an object of preservation, but as an urban device capable of activating new forms of dialogue between environmental sustainability, historical memory, and climate adaptation.
In general terms, the laboratories guide the students to the research of historical sources (graphic or textual, material, bibliographical and/or archival), to their analysis and interpretation, to their discussion and finally to the restitution of the research carried out through tools such as writing or graphic analysis. Through an in-depth experience conducted on specific case studies, each laboratory aims to provide students with the critical and methodological skills necessary to conduct an autonomous and conscious study and research project. The laboratories also aim to strengthen students' critical skills with regard to some central themes of contemporary historiographical debate.
Upon completing this laboratory, students will be equipped with both practical and theoretical knowledge, enabling them to:
- Critical Analysis and Interpretation: Analyze and critically evaluate urban and architectural modern history through the lens of climate, recognizing the impact of narratives of change in historical developments
- Digital Communication of Research: Utilize digital tools to effectively communicate research findings, employing methods such as digital timelines, video essays, and online presentations to showcase the intersection of architecture, urban planning, and indigenous methodologies.
- Documentation and Archival Research: Identify and utilize diverse forms of documentation, including non-traditional and indigenous sources, to organize and analyze information.
- Reflect critically on the representation of knowledge in various types of literature, particularly focusing on non-European perspectives often marginalized in historical discourse.
- Postcolonial Perspectives to Historical Analysis: Adopt a multidimensional approach to examine historical and ongoing processes of urban transformation, considering environmental, social, political, and economic factors. Address interconnected issues such as ecological sustainability, social justice, and the resilience of communities, particularly in the Global South.
- Collaborative Research and Project Development: Work effectively in groups to design, execute, and present a historical research project that integrates course learnings with personal insights, leveraging collaborative skills to enrich the research process and outcomes.
- Ability to develop a critical reading of twentieth-century urban contexts through a climate lens
- Multidisciplinary analysis of layered urban environments
- Production and management of outputs (cartographic, archival, narrative)
- Greater awareness of the role of governance in managing modern heritage
The student should have passed the History of Contemporary Architecture exam (1st year) and attended the History of Modern Architecture exam (2nd year). Moreover, a general knowledge in the history of Turin and its greatest monuments is strongly recommended.
For a full comprehension of the themes that the course covers, it is recommended that the student has passed the History of Contemporary Architecture exam (1 st year) and attended the History of Modem Architecture exam (2nd year).
The course aims to provide the main tools for historical research, understood to mean the definition of the meaning of an architectural monuments (or urban sites) on the basis of its context, its location, the way in which it is presented, even to the evolutionary process of up to their current state. In order to arrive at a sufficient and complete methodological approach, the course will focus on the analysis of some famous case-studies of Turin and its surroundings, intended to provide a complete frame on the complexity and variety of the sources (direct and indirect), and on their specific nature according to the main historical periods and phases. The student teams will deal with monumental ensembles with a significant complexity, focusing on the main methodologies of analysis of the evidences (the monument itself), as well as written and iconographic sources coming from different historical ages: Middle, early and late Modern, Contemporary Age.
At the end of the course the student-architect will be able to understand in detail the specific literature, to have a complete panorama of historical sources, to develop a historical research of scientific level, to elaborate critical texts and graphic elaborations able to foster strategies of development, protection and diffusion of the architectural heritage.
The course will be organized into teams; review sessions; workshop; visits, according to a timetable to be previously provided to students.
Course topics are designed to provide a comprehensive understanding of modern movement from resilience perspective but also to equip students with critical tools to engage with contemporary issues of climate change through the lens of history. Course topics are:
- Climate Literacy: Provides the foundational concepts of climate science (e.g., risk, resilience, vulnerability) to help students frame the built environment as part of broader ecological and climatic systems across time.
- Nineteenth and Twentieth-Century Urban Developments as a response to the Industrial Revolution: Explores how industrial growth and urban expansion shaped landscapes, infrastructures, and spatial hierarchies, influencing the material and environmental history of cities.
- Environmental Imagination of the Modern Movement: Investigates how the modern movement envisioned architecture and planning as tools to improve living conditions and human-environment relations.
- Governance and Narratives of the Modern City: Reflects on the institutional and discursive frameworks that produced and preserved modern urban heritage, considering how historical narratives influence what is protected and how it is understood today.
- Decolonizing Architectural History: Investigate the impact of colonial narratives on the understanding and representation of non-Western modern heritage. This topic will challenge students to critically reassume non-European modern movement developments
- Interdisciplinary Approaches to Global Architectural History: Integrate perspectives from ethnography, environmental science, and anthropology to provide a holistic view of how architectural practices are intertwined with cultural identity and environmental stewardship.
- Critical Theories and Methods in Architectural History: Encourage critical thinking and methodological diversity in studying architectural history, incorporating theories of postcolonialism, environmentalism, and social justice to enrich understanding.
The laboratory will guide students through a plurality of exercises aimed at developing specific skills: bibliographic research; identification and critical use of primary sources; critical readings of key texts; deconstruction of existing research works; paper writing exercises; visual analysis of buildings; individual and group presentations; collective discussions; etc. Each of the teaching modules will be subject to specific forms of revision and will contribute to the formation of the overall evaluation.
The laboratory will guide students through a plurality of exercises aimed at developing specific skills: bibliographic research; identification and critical use of primary and secondary sources; critical readings of key texts; paper writing exercises; visual analysis of cities; individual and group presentations; collective discussions; etc.
The outbreak of the COVID-19 pandemic makes it difficult to predict to what extent the course will be held through direct interaction in the classroom or through a plurality of remote teaching tools. The organization of the course might be subject to change due to such variables: therefore, a detailed program of course activities will be provided at the beginning of the semester.
The laboratory will alternate between ex-cathedra lessons, specific exercises to be conducted either in small teams or individually, and collective discussions on some issues of common relevance.
Lessons (15%) will be focused on theoretical-practical explanations of the main sources of historical research.
Exercises will follow every class.
Review sessions, if necessary (10%), are meant as synthetic recall-classes on the western history of modern and contemporary architecture.
Workshop (60%): the methodologies outlined and exemplified step by step will be tried out through student-led researches on a chosen monument. Students will carry on a historical research in small teams (2-3 students). They will have to produce a research paper (written step by step, with mandatory deadlines) and present the results of the critical and analytical work carried out during the workshop. Next to the work, a large amount of time will be spent on audits with the teachers.
Visits (15%) to famous monuments of Turin will be scheduled.
The laboratory (60 hrs) will alternate between:
- lessons and lectures on specific topics by teachers and international speakers (20 hrs);
- specific exercises to be conducted either in small groups (25 hrs);
- collective guided discussions on some issues of common relevance (15 hrs).
The students are expected to work in groups for the successful delivery of a historical research project executed and presented with a digital narrative. Depending on the circumstances, when possible, field trips are foreseen.
- John BELDON SCOTT, _Fashioning a Capital: The Politics of Urban Space in Early Modern Turin_, in Marcello FANTONI, Malcom SMUTS, George GORSE (eds.), _The Politics of Space: European Courts ca. 1500-1700_, Roma: Bulzoni, 2009.
- Claude H. BERGERON, _City Planning in Turin, 1800-1865 : from Napoleon I to the first capital of Italy_, PhD diss. (Univeristy of Princeton, 1972), Ann Arbor: UMI, 1989.
- Michele BONINO, Giulietta FASSINO, Davide Tommaso FERRANDO, Carlo SPINELLI (eds.), _Torino 1984-2008: Architecture Atlas_, Torino: Urban center Metropolitano, 2008.
- Anthony L. CARDOZA, Geoffrey W. SYMCOX, _A History of Turin_, Torino: Einaudi, 2006.
- Cristiana CHIORINO, Giulietta FASSINO, Laura MILAN (eds.), _Turin_, Berlin: DOM, 2015.
- Vera COMOLI, Carlo OLMO (eds.), _Turin_, Torino: Allemandi, 2000.
- Vera COMOLI, Rosanna ROCCIA (eds.), _Progettare la città. L’urbanistica di Torino tra storia e scelte alternative_, Torino: Archivio Storico della Città di Torino, 2001.
- Antonio DE ROSSI, Giovanni DURBIANO, _Turin 1980-2011: Its transformation and its images_, Torino: Allemandi, 2011.
- Giulietta FASSINO, Carlo SPINELLI, _Torino contemporanea. Guida alle architetture / Contemporary Turin: Guide to Architectures_, Trento-Barcellona: List Lab, 2011.
- Martha D. POLLAK, _Turin 1564-1680 : Urban design, military culture, and the creation of the absolutist capital_, Chicago – London: University of Chicago Press, 1991.
- Società degli Ingegneri e degli Architetti di Torino (ed.), _26 itinerari di architettura a Torino / 26 Architectural Walks in Turin_, Torino: Società degli Ingegneri e degli Architetti di Torino, 2000.
Mandatory Readings:
- Barber, D. (2020). Modern architecture and climate: Design before air conditioning. Princeton University Press. (Read Chapter 2)
- Chakrabarty, D. (2009). The climate of history: Four theses. In Critical Inquiry, 35, pp.197–222
- Choay, F. (1997). The rule and the model: On the theory of architecture and urbanism. MIT Press.
- Dinler, M. (2025). Heritage and climate injustice. In Saloul, I. & Baillie, B. (Eds.), The Palgrave encyclopedia of cultural heritage and conflict. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-61493-5_53-1
- Frampton, K. (1980). Modern architecture: A critical history. Oxford University Press. https://archive.org/details/modernarchitectu0000kenn
- Ghosh, A. (2016). The great derangement: Climate change and the unthinkable. University of Chicago Press.
- Hays, K. M. (ed.) (1998). Oppositions Reader: Selected Readings from a Journal for Ideas and Criticism in Architecture, 1973–1984. Princeton Architectural Press.
- ICOMOS. (2019). Future of our pasts: Engaging cultural heritage in climate action.
- IPCC. (2023). Climate change 2023: Synthesis report. Contribution of Working Groups I, II and III to the Sixth Assessment Report of the Intergovernmental Panel on Climate Change (Core Writing Team, H. Lee & J. Romero, Eds.), Geneva, Switzerland. IPCC. https://doi.org/10.59327/IPCC/AR6-9789291691647
- Mumford, E. (2000). The CIAM discourse on urbanism, 1928–1960. MIT Press. (Read Introduction)
Further Readings:
- Banham, Reyner. (1960). Theory and Design in the First Machine Age. London: The Architectural Press.
- Banham, R. (1969). The architecture of the well-tempered environment. University of Chicago Press.
- Colomina, B. (Ed.). (1992). Sexuality and space. Princeton Architectural Press. https://monoskop.org/images/9/9e/Colomina_Beatriz_ed_Sexuality_and_Space.pdf
- Dinler, M. (2021). "Scale Matters Political Dynamics of Urban Conservation". WerteWandel: Prozesse, Strategien und Konflikte in der gebauten Umwelt, edited by Julia Ess, Eva Maria Froschauer, Elke Richter and Clara Jiva Schulte, Berlin, Boston: Birkhäuser, 2021, pp. 135-146. https://doi.org/10.1515/9783035623277-010
- Dinler, M. (2021). Counter-Mapping through Digital Tools as an Approach to Urban History: Investigating the Spatial Condition of Activism. Sustainability, 13(16), 8904. https://doi.org/10.3390/su13168904
- Galuzzi, P. (2016). Historical authenticity of modern architecture: Preservation and regeneration of Olivetti architecture in Ivrea. In Techne – Journal of Technology for Architecture and Environment, 12, pp. 122–128. https://doi.org/10.13128/Techne‑19343
- Wright, G. (1991). The Politics of Design in French Colonial Urbanism. University of Chicago Press.
- Tafuri, M. (1976) Modern Architecture in Italy 1796–1945.
- Tafuri, M (1976). Architecture and Utopia: Design and Capitalist Development. MIT Press.
- Vale, L. J. (2014). The politics of resilient cities: Whose resilience and whose city? In Building Research & Information, 42(2), pp. 191–201. https://doi.org/10.1080/09613218.2014.850602
Slides; Libro di testo; Esercizi; Esercitazioni di laboratorio; Materiale multimediale ; Strumenti di collaborazione tra studenti;
Modalità di esame: Prova orale obbligatoria; Prova pratica di laboratorio; Elaborato grafico prodotto in gruppo; Elaborato scritto prodotto in gruppo; Elaborato progettuale in gruppo;
Exam: Compulsory oral exam; Practical lab skills test; Group graphic design project; Group essay; Group project;
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Exam: Compulsory oral exam; Individual graphic design project; Group graphic design project; Individual essay; Group essay.
The exam will consist of an oral test, with an evaluation on a 30-point scale. The oral exam will last 25-30 minutes.
1. The evaluation will be carried out continuously over the course of the semester and will be based on the outcome of all the activities carried out during the workshop, as well as the student's ability to participate in discussions (15%).
2. The final exam will consist of an oral interview during which the student will have to demonstrate the ability to critically review the work carried out during the semester (50%) and analyze in a pertinent way the topics and case studies covered by the laboratory (35%).
Gli studenti e le studentesse con disabilità o con Disturbi Specifici di Apprendimento (DSA), oltre alla segnalazione tramite procedura informatizzata, sono invitati a comunicare anche direttamente al/la docente titolare dell'insegnamento, con un preavviso non inferiore ad una settimana dall'avvio della sessione d'esame, gli strumenti compensativi concordati con l'Unità Special Needs, al fine di permettere al/la docente la declinazione più idonea in riferimento alla specifica tipologia di esame.
Exam: Compulsory oral exam; Practical lab skills test; Group graphic design project; Group essay; Group project;
Evaluation Matrix (final vote is over 30):
The evaluation consists of three parts: 1. Written exam. 2. Co-development of the final project with the teaching committee. 3. Final submission and oral exam.
WRITTEN EXAM (%20 of final vote): It will cover “Module 1: Climate Literacy” to assess the basic knowledge and ability to assess the current developments regarding the climate change.
CO-DEVELOPMENT OF THE FINAL PROJECT (50% of final vote). There are seven sessions dedicated to the co-development of the final project together with the teaching committee. You will work in groups for investigating in detail and undertaking historic research on a case study selected together with the teaching committee. You should discuss your project at least 3 times (out of these seven sessions) with one of the members of the teaching committee (either the professor of the class or the tutor) and present the progress you achieved.
FINAL SUBMISSION AND ORAL EXAM (30% of final vote): You have to submit the results of your project with a graphically rich poster (board) and with a digital narrative of your choice.
If you don’t already have 15 points from at the end of the term, you will NOT be admitted to the final submission and oral exam.
LODE:
The projects that use architectural materials (maps, architectural drawings, historic documents, etc.) integrating these materials with a creative graphical video narrative will receive lode if the oral exam is successful.
In addition to the message sent by the online system, students with disabilities or Specific Learning Disorders (SLD) are invited to directly inform the professor in charge of the course about the special arrangements for the exam that have been agreed with the Special Needs Unit. The professor has to be informed at least one week before the beginning of the examination session in order to provide students with the most suitable arrangements for each specific type of exam.