In the Atelier “Architecture and Urban Space”, students will continue to enhance their skills in managing a complex architectural project autonomously. They will elaborate a complex urban design, in its urban and architectural components, integrating the architectural design of a building to demonstrate the possession of the techniques, the methodologies and the specific abilities of the “European architect”. Through the knowledge and in-depth analysis of the specific
design theme, students will acquire a deeper understanding and interpretation of the complex phenomena that characterise the contemporary processes of urbanisation and urban regeneration, at both local and global levels. The overall educational goal of the “Architecture and Urban Space” Atelier is to elaborate a complex urban project from the knowledge and skills provided by two specific subjects, complementary between them: Architectural Design, and Urban
Planning, the latter providing detailed knowledge about the urban dimension of architecture.
In the Design Studio “Architecture and Urban Space”, students will enhance their skills in managing a complex urban project autonomously, in its urban and architectural components, to demonstrate the possession of the techniques, the methodologies and the specific abilities of the “European architect”. Through the knowledge and in-depth analysis of the design theme, students will understand the phenomena that characterise the contemporary processes of urbanisation and urban regeneration at both local and global levels. Knowledge and skills will be provided by two specific subjects, complementary between them: Architectural Design, and Urban Planning, the latter providing detailed knowledge about the urban dimension of architecture.
In the experience of the Atelier “Architecture and Urban Space”, the understanding of the complex phenomena that govern urban and territorial transformations, both in its architectural and urban components, occurs through the knowledge and the in-depth analysis of the specific
design theme. The instructors provide multi-disciplinary knowledge of all the aspects of the context within which the design has to be developed. The ability to understand and interpret the complex phenomena that characterize the practices of urbanisation and urban regeneration, at both local and global levels, also occurs in the ability to work in un international context, in the capacity of a design and narrative synthese. The experience of the Atelier, characterized by an
intense experimentation, is configured as a partial simulation of effective design practices in the real-world. The ability to process a complex architectural project in a given time represents a specific ability of the work of the architect: this will be verified at the exam that will take place during the first week of exams, in the first examination session consecutive to the Design Unit.
The teachers will provide multi-disciplinary knowledge of all the aspects of the context where the design has to be developed. The ability to interpret the complex practices of urbanisation and urban regeneration, also occurs in the ability to work in an international environment, in the capacity of a design and narrative synthesis. The experience of the studio, characterized by intense experimentation, is configured as a partial simulation of effective design practices in the real world. The ability to process a complex architectural project in a given time represents a specific ability of the work of the architect.
The basic critical and design skills, along with the concepts and introductory tools in urban planning and design, are considered as already acquired in the disciplinary courses and in the design workshops of the Bachelor's Degree in "Architecture". The knowledge and skills acquired
during Atelier 1 are also required, in particular the ability to independently manage and process a complex architectural project in a defined time.
The basic critical and design skills, along with the tools of urban planning and architectural design, are considered as already acquired in the disciplinary courses and in the design workshops of the Bachelor's Degree in "Architecture". The knowledge and skills acquired during previous master's Design Studio(s) are also required, in particular the ability to independently manage and process a complex architectural project in a defined time.
Suburbanization is treated as a universal phenomenon in Western countries. In Chinese cities, it appears to be developing since 1980, responding to the country’s rapid economic development.
Taking form of the emergence of vast industrial parks, large-scale transportation infrastructures, and mass-produced housing estates in suburban areas, China’s suburbanization have brought both opportunities and challenges to traditional suburban villages. On one hand, small towns and traditional villages gain unprecedented attention thanks to the growingly important role suburbs play in the global economy. On the other hand, regional culture, which extends from planning and architecture to people's long-evolved lifestyle and culture memory, is threatened by the domination of industrialization, real estate development, invasive tourism, etc. There is a power unbalances between the old and new, a seemingly contradictory and yet coexisting binary.
The Design Studio will address the issue of Chinese suburbanization using Chengxiang Old Town as the site (TBC). The town is about thirty kilometers away from the city center of Chengdu. The studio will analyze the quality of urban space and architecture, both from a tectonic and functional point of view. The goal is to find a way for suburbs to evolve for their new context while preserving their uniqueness. To do this, students will first produce a research booklet dedicated to a systematic urban design strategy for the suburban condition, and then provide their architectural intervention in coherence with the urban design strategy. Each solution will have to react to the existing overlapping and chaotic suburban fabric of the local community. Materials, tectonics, and the architectural tonality will be the focus for the architectural design, for establishing a new relationship with the existing built environment.
The contribution of Architectural Design (6 credits) will present a series of public spaces and buildings for social activities in the fringes between urban and rural. The contribution of Urban Planning (6 credits) will focus on emerging transformations in suburban areas and on how contemporary urban design aims to address them, both in the East as in Western countries. To do this, particular attention will be paid to: (i) the way in which analyze and represent complex urban systems across multiple scales of intervention and development, (ii) the way in which projects involved in the reshaping of environmental systems emphasize their role in the organization of a collective landscape.
Involving as a Visiting Professor Gong Dong from Vector Architects, Beijing, the Design Studio can count on a great scientific and professional experience, both in terms of knowledge of the transformation processes of contemporary China, as well as professional practice consolidated through the realization of internationally well-known projects.
The Design Studio focuses on the transformation of the existing city, exploring how architectural and urban design can operate within stratified urban environments continuously reshaped through incremental adaptations, evolving governance structures, competing interests, and environmental pressures.
The studio will work on the contemporary transformation of Skopje, North Macedonia, a city currently undergoing intense spatial, political, and institutional change in the context of its designation as European Capital of Culture 2028. Shaped by the reconstruction strategies developed after the 1963 earthquake, Skopje contains an extraordinary concentration of modernist urban structures, collective housing landscapes, open-space systems, and civic infrastructures inherited from the socialist period. Today, these spatial legacies are confronted with fragmented governance conditions, changing regulatory frameworks, privatization processes, speculative development pressures, environmental vulnerabilities, and competing visions for the future of the city.
Within this context, the Studio approaches urban design as a situated and critical practice able to test scenarios, construct spatial hypotheses, and engage ongoing urban transformations. Design is understood as a tool to investigate how existing urban structures and collective spaces can be maintained, adapted, repaired, intensified, or selectively transformed under contemporary conditions.
The theoretical and design framework of the Studio is organized around three lenses: Timing, Legacy, and Agency.
-Timing focuses on the persistence and transformation of the urban body, observing how the city accumulates traces, repairs, interruptions, and stratified modifications across different temporal regimes. Particular attention is given to maintenance, incremental change, unfinished processes, and the coexistence of different temporalities within the contemporary city.
-Legacy addresses the “already built” as a sedimented field of spatial, social, environmental, and political values to be reread and rewritten through design, rather than merely preserved or monumentalized. The Studio investigates how modern urban structures, collective housing systems, infrastructures, and open spaces can become active material for contemporary urban projects.
-Agency investigates the actors, routines, regulations, negotiations, and chains of mediation through which urban transformations are produced, contested, or redirected. The Studio explores how projects interact with institutional frameworks, public debates, informal practices, and broader processes of city-making, identifying where design can operate critically within ongoing transformations.
The first weeks of the course will work on 3 parallel levels, to make students able to understand the Chinese context: a mapping analysis of the site at the large scale; some case-study of Chinese public and collective architectural projects; lectures and readings aimed to provide the theoretical and methodological tools for the project. Then, after about 3 weeks, the urban design area will be assigned and divided in individual themes of architectural design.
-The first part of the studio will be devoted to the construction of a shared understanding of the case study. Students will work in parallel on three complementary levels: a multi-scalar mapping and interpretation of the urban context; the analysis of selected architectural and urban design references; and lectures, readings, and discussions - also with external experts and local stakeholders - aimed at providing the theoretical and methodological tools for the project.
-The second part of the studio will be devoted to the development of the design proposal. The design field will be progressively defined through group work, identifying strategic issues, possible areas of intervention, and transformation scenarios. Within this shared framework, individual contributions will focus on specific architectural themes, fragments, or devices. The final project will combine collective urban scenarios and individual design explorations.
The studio will alternate lectures, seminars, mapping exercises, design workshops, desk critiques, intermediate reviews, and collective discussions. The exact sequence of activities and the specific case-study materials will be defined at the beginning of the semester.
Bologna, Alberto, 2019. Chinese Brutalism Today. Concrete and Avant-Garde Architecture. San
Francisco: ORO Editions.
Bonino, Michele; Carota, Francesco; Governa, Francesca; Pellecchia, Samuele (eds.), 2020. China Goes Urban. La nuova epoca della città. The city to come. Milan: Skira.
Bonino, Michele; Governa, Francesca; Repellino, Maria Paola; Sampieri, Angelo (eds.), 2019. The City after Chinese New Towns. Spaces and Imaginaries from Contemporary Urban China. Basel: Birkhäuser.
Governa, Francesca; Sampieri, Angelo, 2019. Urbanisation processes and new towns in contemporary China: A critical understanding from a decentred view. Urban Studies, vol. 57,
pp. 366-382.
Lee, C. C. M., 2016. Common Frameworks: Rethinking the Developmental City in China. Harvard University Graduate School of Design.
Padoa Schioppa, Caterina, 2021. Vector Architects. Libria
Ren, Xuefei. 2013. Urban China. Cambridge: Polity Press.
Rowe Peter G., 2016. China's Urban Communities. Basel: Birkhäuser.
Rozelle, S., & Hell, N., 2020. Invisible China: How the Urban-rural Divide Threatens Chinas Rise. Univ of Chicago Press.
Vector Architects. Cosmopolitan Vernacular, Arcquitectura Viva n.220.
Wang, X., 2020. Blockchain Chicken Farm: And Other Stories of Tech in China’s Countryside. Farrar Straus & Giroux.
Wu, Fulong, 2015. Planning for Growth: Urban and Regional Planning in China. New York and London: Routledge.
De Certeau, M. (1984). The Practice of Everyday Life. Berkeley: University of California Press.
Habraken, N. J. (1998). The Structure of the Ordinary: Form and Control in the Built Environment. Cambridge, MA: MIT Press.
Brand, S. (1994). How Buildings Learn: What Happens After They’re Built. New York: Viking.
Till, J. (2009). Architecture Depends. Cambridge, MA: MIT Press.
Marshall, S. (2011). Urban Coding and Planning. London/New York: Routledge.
Lehnerer, A. (2009). Grand Urban Rules. Rotterdam: 010 Publishers.
Berghauser Pont, M., & Haupt, P. (2010). Spacematrix: Space, Density and Urban Form. Rotterdam: NAi Publishers.
Bélanger, P. (2017). Landscape as Infrastructure: A Base Primer. London/New York: Routledge.
Slides;
Lecture slides;
Modalita di esame: Prova orale obbligatoria; Elaborato progettuale individuale; Elaborato progettuale in gruppo;
Exam: Compulsory oral exam; Individual project; Group project;
...
During the final oral exam, the design materials produced during the semester are discussed and evaluated, both in groups and individually. Students are interviewed individually, critically discussing the project's results and development. During the semester, the teaching activities may include intermediate exercises, carried out individually or in groups, the delivery of which is considered a prerequisite for taking the final exam. The intermediate exercises consist of drafting texts and producing targeted project actions, which receive an orientation evaluation from time to time. During the final interview, each student must be able to give precise feedback on the work done during the semester and the project drawings presented. The evaluation will be the result of the assessments expressed by the entire teaching staff for each disciplinary contribution, but defined as a single overall grade, based on the exercises carried out during the semester, the quality of the final tables, and the ability to sustain the oral interview, the project, the lessons and the bibliography provided by the course.
Gli studenti e le studentesse con disabilita o con Disturbi Specifici di Apprendimento (DSA), oltre alla segnalazione tramite procedura informatizzata, sono invitati a comunicare anche direttamente al/la docente titolare dell'insegnamento, con un preavviso non inferiore ad una settimana dall'avvio della sessione d'esame, gli strumenti compensativi concordati con l'Unita Special Needs, al fine di permettere al/la docente la declinazione piu idonea in riferimento alla specifica tipologia di esame.
Exam: Compulsory oral exam; Individual project; Group project;
1. Throughout the semester, students’ work will be continuously monitored through desk critiques, collective reviews, seminars, and intermediate presentations. Teaching activities may include analytical exercises, mappings, drawings, models, and design explorations developed individually or in groups. Project materials will be discussed during public reviews with the teaching staff and invited critics. Given the collective and discussion-based nature of the Studio, active participation in lectures, seminars, tutorials, reviews, and collective discussions is strongly recommended for the successful development of the project.
2. During the final oral examination, the design materials produced throughout the semester will be discussed and evaluated both collectively and individually. Students will be asked to critically present their work, which will constitute the starting point of the discussion. Moreover, students will also be evaluated on their ability to connect the design work with the themes addressed during lectures, the references discussed throughout the semester, and the materials provided by the teaching staff.
3. The final evaluation will be expressed as a single overall grade collectively defined by the teaching staff. Assessment will be based on the quality and continuity of the work developed during the semester, the final deliveries, the capacity to critically discuss the project during the oral examination, and the understanding of the theoretical and methodological contents addressed by the Studio.
In addition to the message sent by the online system, students with disabilities or Specific Learning Disorders (SLD) are invited to directly inform the professor in charge of the course about the special arrangements for the exam that have been agreed with the Special Needs Unit. The professor has to be informed at least one week before the beginning of the examination session in order to provide students with the most suitable arrangements for each specific type of exam.